Swinging London, 1969. From his flat in Notting Hill Gate, Ray Purbbs edits an 'underground' (that is, counterculture) magazine, Mouth, assisted by his fellow hippies Alex, Jill and Hugo. Ray is passionate about protes...展开t, ludicrously enthusiastic about every hip trend and convinced he is (or could be) a major player in the battle between the Establishment and the alternative society. Alex - though he comes from a wealthy background and seems more interested in golf than altering society - is coolness personified, a man so laid-back he seems to exist outside of reality. Jill embraces all the new-found liberty afforded her gender and claims to espouse free love, though this attitude doesn't stretch to her 'boyfriend', Ray, long been deprived of her carnal interest. Hugo is spectacularly vague, almost brilliant in his obliqueness. Led by Ray, the quartet jump on every trendy bandwagon and comprehensively fail to make the slightest bit of difference in all they do. The gang are pretty useless at everything - in fact, they're not even that good at being hippies.
Created by the writing partnership behind Father Ted Hippies promised much but sadly disappointed. While there were likeable characters and some good jokes (Ray protests against the Miss World competition with a placard stating 'Miss World Devalues Chicks'), the show failed to capture the zeitgeist of the time. Part of its aim was to suggest the mundanity of life in what has since been exaggeratedly categorised as such an exciting period, but the production was insufficiently authentic - it simply didn't look, sound or feel like the 1960s.
Researched and written by Mark Lewisohn.